Living Prints Mezzotint On-line


Drawing, composing and laser-printing

There are as many ways to approach the drawing and composition of a mezzotint as there are in any other printmaking technique. There is no right way or wrong way.

Some artists have a philosophy about drawing related to printmaking. If they regard printmaking as a reproduction process, they make the transfer simply by photographing an original drawing and putting it on the printing plate using a photographic process.

Other artists regard printmaking as a means to create original art works that could not be created another way. They begin and end the composition in the medium of the printing technique itself. This may be called medium-of-origination.

In the instance of this Mezzotint On-line, the original idea for the Handmade Dogs began on a rooftop in 1984, in a photo medium called cyanotype, or blue-process. The experience itself is another story. Where you--the visitor--now have come in, the composition was done on a computer, using a paint program (similar to Adobe Photoshop).

Above: The artist compares the composition for the mezzotint with an old version of an Ektagraphic (Kodak office copier) print from his 1988 series, Handmade Dogs (No. 11).


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©1999 Bill H. Ritchie, Jr. ritchie@seanet.com